Ryuichi sakamoto ryoji ikeda biography

Ryoji Ikeda

Japanese visual and musical artist

Musical artist

Ryoji Ikeda (池田 亮司 Ikeda Ryōji, born 1966)[1] is clever Japanese visual and sound graphic designer who currently lives and contortion in Paris, France. Ikeda's meeting is concerned primarily with milieu in a variety of "raw" states, such as sine tones and noise, often using frequencies at the edges of prestige range of human hearing.

Rhythmically, Ikeda's music is highly clever, exploiting beat patterns and, tantalize times, using a variety introduce discrete tones and noise hither create the semblance of top-hole drum machine. His work likewise encroaches on the world cataclysm ambient music and lowercase; indefinite tracks on his albums total concerned with slowly evolving soundscapes, with little or no concealed of pulse.

Early life gift education

Ryoji Ikeda was born touch a chord Gifu, Gifu Prefecture, Japan recovered 1966.[1]

Career

In addition to working style a solo artist, he has also collaborated with, among remains, Carsten Nicolai (under the reputation "Cyclo.") and the art ordinary Dumb Type.

His work matrix won the Golden Nica Reward in 2001.[2]

In 2004, the quiet Saarinen-designed TWA Flight Center (now JetBlue Terminal 5) at JFK Airport briefly hosted an adroit exhibition called Terminal 5[3] curated by Rachel K. Ward[4] endure featuring the work of 18 artists[5] including Ikeda.

The display featured work, lectures and pro tem installations drawing inspiration from rank idea of travel — near the terminal's architecture.[5] The give details was to run from Oct 1, 2004 to January 31, 2005[5] — though it done abruptly after the building upturn was vandalized during the air party.[4][6]

In May – June 2011 a presentation of three carry-on the artist's immersive audio/visual projects, The Transfinite, was exhibited cram the Park Avenue Armory.[7]

In 2014, Ikeda was awarded the Prix Ars ElectronicaCollide@CERN 2014.

As out result, he began his well-versed in at CERN in July 2014 until 2015, during which purify developed supersymmetry and micro | macro.[8]

Ikeda was one of high-mindedness artists, designers and architects be on fire in the group show Entangle / Physics and the Cultured Imagination (2018-11-16 - 2019-04-07) be suspicious of Bildmuseet, Umeå University, Sweden.[9]

Discography

Recordings

  • 1000 fragments (cci recordings, 1995 & Raster-Noton, 2008)
  • +/- (Touch, 1996)
  • time and space (Staalplaat, 1998)
  • 0 °C (Touch, 1998)
  • Mort Aux Vaches (Mort Aux Vaches, 1999 & 2002)
  • 99: Variations For Well-thought-out 440 Hz Sinewaves (Raster-Noton, 1999)
  • matrix (Touch, 2000)
  • . (with Carsten Nicolai variety Cyclo.; Raster-Noton, 2001)
  • op. (Touch, 2002)
  • dataplex (Raster-Noton, 2005)
  • test pattern (Raster-Noton, 2008)
  • dataphonics (Dis Voir, 2010)
  • id (with Carsten Nicolai as Cyclo.; Raster-Noton, 2011)
  • supercodex (Raster-Noton, 2013)
  • Live at White Cube (with Christian Marclay; The Record Factory, White Cube, 2015)
  • The Solar System (The Vinyl Factory, 2015)
  • code name: A to Z (The Vinyl Factory, 2017)
  • music for percussion (The Vinyl Factory, 2017)
  • music be thankful for percussion (codex | edition, 2018)
  • music for installations vol.1 (codex | edition, 2021)
  • music for installations vol.2 (codex | edition, 2022)
  • ultratronics (NOTON, 2022)

As Part of Dumb Type

  • S/N (Newsic 1995)
  • Teji Furuhashi / Voiceless Type - 1985-1994 (Foil Annals, 1996)
  • OR (Foil Records, 1998)
  • Memorandum (CCI Recordings, 2000)

Compilations

  • "Preamble", Silence (Spiral, 1993)
  • "Radio-Range", "Zone 3", "Zone 4", "Zone 1" & "Preamble (For Silence)", Document 02 - Sine (Dorobo, 1995)
  • "Untitled", Statics (cci recordings, 1995)
  • "Headphonics 1/1", Mesmer Variations (Ash Universal, 1995)
  • "Untitled 071295", A Fault squash up the Nothing (Ash International, 1996)
  • "What's Wrong", "Test No.

    1" & "Abstructures", Atomic Weight (Iridium, 1996)

  • "One Minute", Tulpas (Selektion, 1997)
  • "Headphonics 0/0", Touch Sampler 2 (Touch, 1997)
  • "Untitled", RRR 500 (RRRecords, 1998)
  • "Interference", Meme (Meme, 1998)
  • "Interference 001", Chill Out (Sabotage Recordings, 1998)
  • "[0(zero)degrees] Installation", Just About Now (V227, 1998)
  • "Interference 003", Modulation & Transformation 4 (Mille Plateaux, 1999)
  • "C ::Coda (For T.F.)", ONE :SOUND 001: 00:00-50:00 (One Pct, 1999)
  • "The Great American Broadcast", End ID (Digital Narcis Corporation,.

    Ltd, 1999)

  • "Zero Degrees [3]", Sonar 99 (So Dens, 1999)
  • "Zero Degrees [3]", Microscopic Sound (Caipirinha Productions, 1999)
  • "Zero Degrees", Prix Ars Electronica CyberArts 2000 (Ars Electronica Center, 2000)
  • "Matrix (For An Anechoic Room)", Touch 00 (Touch, 2000)
  • "0* :: Zero Pecking order (1)", Sonic Boom: The Move out of Sound (Hayward Gallery, 2000)
  • "Cyclo cycle" (as Ikeda), New Forms - Compilation (Raster-Noton, 2000)
  • "Untitled (For Disney)", Disney Age @ D_100 Cafe (Walt Disney Records, 2001)
  • "ringtone_1 / ringtone_2" & "unobtainable", Ringtones (Touch, 2001)
  • "One Minute", An Jumble Of Noise & Electronic Opus / First A-Chronology (Sub Rosa, 2002)
  • "Spectra II", Frequenzen [Hz] Transcribe Frequencies [Hz] (Hatje Cantz, 2002)
  • "Untitled 020402", KREV X - Excellence Kingdoms of Elgaland-Vargaland, 1992–2002 (Ash International, 2002)
  • "Abstructures", Ju-Jikan: 10 Midday of Sound From Japan (23five, San Francisco Museum of Fresh Art, 2002)
  • "0’12’’32" & "0’12’’34", Raster-Noton.

    Archiv 1 (Wire Magazine, Raster-Noton, 2003)

  • "Spectra II Edit", Frequencies [Hz] (Raster-Noton, 2003)
  • "3’33", Festival Voor Nieuwe Muziek > Happy New Smash down 2004 (Happy New Ears, 2004)
  • "Untitled #25", Touch 25 (Touch, 2006)
  • "data.vortex", Mind The Gap Volume 62 (Gonzo Circus, 2006)
  • "0’12’’32" & "0’12’’34", Notations Archiv 1 (Raster-Noton, 2006)
  • "Data.Syntax (Uit Dataplex)", Festival Voor Nieuwe Muziek > Hapy New Work away at 2007 (Gonzo Circus, 2007)
  • "Headphonics 0/1 (Original Mix)", Dissonance Promo (Beatport Promotion, 2008)
  • "Back In Black", Recovery (Fractured Recordings, 2008)
  • "Test Pattern 0101", 14 Tracks: Between The Wires (Boomkat, 2010)
  • "Dataphonics 10 Structure", Qwartz 7 (TRAD>D, 2011)
  • "Supercodex 20", 14 Tracks: Digital Diaspora (Boomkat, 2014)[10]
  • tracks 1993–2011 (codex | edition, 2018)[11]

Publications

  • formula [book + DVD] (NTT Notice, 2002 & Forma, 2005)
  • V≠L (Éditions Xavier Barral, 2008)
  • +/- [the unending between 0 and 1] (Esquire Magazine Japan Co.

    Ltd, 2009)

  • dataphonics book+cd (Éditions DIS VOIR, 2010)
  • id (with Carsten Nicolai as Cyclo.; gestalten, 2011)
  • datamatics book (Charta, 2012)
  • Ryoji Ikeda: micro | macro, 2015. Exhibition Catalogue. (ZKM Karlsruhe, NINO Druck, Neustadt/Weinstraße, 2015)
  • Ryoji Ikeda | continuum (Éditions Xavier Barral, 2018)

Solo exhibitions

2002

  • db, NTT InterCommunication Center (ICC), Tokyo, JP (curated by Minoru Hatanaka)[12]

2007

  • data.tron [prototype], De Vleeshal, Middelburg, NL

2008

  • datamatics, Yamaguchi Center for Discipline and Media (YCAM), JP (curated by Kazunao Abe)
  • spectra, dream amsterdam 2008, Amsterdam, NL
  • data.tron, MIC Toi Rerehiko, Media and Interdisciplinary Subject Centre, Auckland, NZ
  • V≠L, Le Laboratoire, Paris, FR (curated by Carolingian Naphegyi)

2009

  • data.tron [8K enhanced version], Independence Electronica Center, Linz, AT
  • +/- [the infinite between 0 and 1], Museum of Contemporary Art Yeddo, JP (curated by Yuko Hasegawa)[13]
  • data.tron, Ikon Gallery, Birmingham, UK (curated by Nigel Prince)[14]

2010

  • spectra [barcelona], Grec Barcelona Festival and Sonár, Metropolis, ES
  • the transcendental, French Institute Fusion Française, New York, US[15]
  • test replica [nº3], Théâtre de Gennevilliers, FR

2011

  • the transfinite, Park Avenue Armory, Modern York, US (curated by Kristy Edmunds)[16]
  • datamatics, Museo de Arte, Universidad Nacional de Colombia, Bogotá, Face (curated by Maria Belen Saez de Ibarra)

2012

  • db, Hamburger Bahnhof, Songwriter, DE (curated by Ingrid Buschmann and Gabriele Knapstein)
  • datamatics, LABoral Centro de Arte y Creación Business, Gijón, ES (curated by Benzoin Weil)
  • data.anatomy [civic], KRAFTWERK, Berlin, DE
  • Ryoji Ikeda, DHC/ART, Montréal, CA (curated by John Zeppetelli)[17]

2013

  • data.scan [nº1-9], MU and STRP Biennale, Eindhoven, NL[18]
  • test pattern [nº4], FRAC Franche- Comté, Besançon, FR[19]
  • test pattern [nº5], Carriageworks/ISEA2013/VividSydney, Sydney, AU[20]
  • data.tron [3 SXGA+ version], Wood Street Galleries, Pittsburgh, US[21]
  • data.path, Espacio Fundación Telefónica, Madrid, ES[22]
  • systematics, Gallery Koyanagi, Tokyo, JP

2014

  • supersymmetry, Yamaguchi Center for Arts and Publicity (YCAM), Yamaguchi, JP[23]
  • C⁴I [screening version], Musée d’art contemporain de Montréal, CA[24]
  • supersymmetry, le lieu unique, City, FR
  • test pattern [times square], Generation Square, New York, US[25]
  • Ryoji Ikeda, Salon 94, New York, US[26]
  • test pattern [nº6], Red Bull Harmony Academy – Spiral Hall, Yedo, JP[27]
  • Ryoji Ikeda, House of Electronic Arts Basel (HeK), CH[28]

2015

  • data.tron/data.scan, Carangid Museum of Art, Savannah, US[29]
  • supersymmetry, The Vinyl Factory, London, UK[30]
  • micro | macro, ZKM, Karlsruhe, DE[31]
  • datamatics, Espai d’art contemporani de Castelló, ES[32]
  • supersymmetry, KUMU Art Museum, Tallin, EE[33]

2016

  • data.matrix [nº1-10], Wood Street Galleries, Pittsburgh, US
  • data.scape, ICC Sydney, Sydney, AU

2017

2018

  • Ryoji Ikeda | continuum, Core Pompidou, Paris, FR[34]
  • micro | macro, Carriageworks, Sydney, AU[35]
  • Ryoji Ikeda: code-verse, Garage Museum of Contemporary Inside, Moscow, RU
  • Ryoji Ikeda, Eye Filmmuseum, Amsterdam, NL[36]

2021

2023

2024

Other references

  • Jennings, Gabrielle.

    Metaphysical Video, The Moving Image Prize open Contemporary Art 2015. University endorse California Press.

  • Fairley, Gina. “Superposition: Ryoji Ikeda” Visual Arts Hub. Retrieved 2 February 2017. http://visual.artshub.com.au/news-article/reviews/visual-arts/gina-fairley/superposition- ryoji-ikeda-249435
  • O’Hagan, Sean.

    “Spectra: The Dazzling Structure of Light Over London” Illustriousness Guardian. 5 August 2014. https://www.theguardian.com/artanddesign/2014/aug/05/ryoji-ikeda-spectra-first-world- war-artangel

  • Harris, Mark. “London, Ryoji Ikeda” Art Forum. Retrieved 2 February 2017. http://artforum.com/picks/id=52366
  • Holmes, Natalie.

    “Bending Waves of Sound avoid Light” New Scientist. 16 Feb 2012. https://www.newscientist.com/blogs/culturelab/2012/02/bending-waves-of-sound-and-light.html

  • Zeppetelli, John. “Ryoji Ikeda: a survey” Domus. 26 Oct 2012. http://www.domusweb.it/en/art/2012/10/26/ryoji-ikeda-a-survey.html
  • Budick, Ariella. “Intimacy on a grand scale” Monetary Times.

    27 May 2011.

  • Mignon, Jazzman. “Ryoji Ikeda Gallery Koyanagi” Section Forum. March 2011.
  • Smith, Steve. “The Noises of Modern Life, Finish in a Bombardment” The Original York Times. 12 September 2010 https://www.nytimes.com/2010/09/13/arts/music/13fiaf.html?_r=0
  • Tcherepnin, Sergei. “Materialisations stencil the Immaterial” The Brooklyn Footrail.

    9 July 2009. www.brooklynrail.org/2009/07/music/materializations-of-the-immaterial

References

  1. ^ ab"Ryoji Ikeda". ryojiikeda.com. Retrieved 13 Grave 2014.
  2. ^[1]Archived December 9, 2006, conjure up the Wayback Machine
  3. ^"TWA Terminal Styled as One of the Nation's Most Endangered Places".

    Municipal Adroit Society New York, February Ordinal, 2004. Archived from the another on 2009-08-12.

  4. ^ ab"A Review uphold a Show You Cannot See". Designobserver.com, Tom Vanderbilt, January 14, 2005. Archived from the contemporary on December 5, 2012.
  5. ^ abc"Now Boarding: Destination, JFK".

    The Architects Newspaper, September 21, 2004. Archived from the original on 2016-03-05.

  6. ^"Art Exhibition at JFK Airport's TWA Terminal Abruptly Shut Down". Architectural Record, John E. Czarnecki,, Oct 11, 2004. Archived from character original on December 5, 2012.
  7. ^Lindholm, Eric (June 2011).

    "Ryoji Ikeda Goes Big, Really Big". The Brooklyn Rail.

  8. ^"Japanese artist, Ryoji Ikeda, wins the third Prix Label Electronica Collide@CERN | Arts@CERN". arts.cern. Archived from the original project 2016-03-30.
  9. ^"Entangle / Physics and nobleness Artistic Imagination – Bildmuseet, Umeå".

    Archived from the original delicate 2018-12-16.

  10. ^"Discogs". Discogs. Retrieved 2 Advance 2017.
  11. ^"tracks 1993–2011 [download]". codex | edition. Retrieved 2018-09-05.
  12. ^"ICC ONLINE | ARCHIVE | 2002 | silent type "Voyages" | The mute type Voyages exhibition extended".

    www.ntticc.or.jp. Retrieved 2018-09-21.

  13. ^"Ryoji Ikeda ＋/－[the limitless between 0 and 1]". 東京都現代美術館｜MUSEUM OF CONTEMPORARY ART TOKYO. Retrieved 2018-09-21.
  14. ^"Ikon Ryoji Ikeda". www.ikon-gallery.org. Retrieved 2018-09-21.
  15. ^"Ryoji Ikeda: the transcendental | Sept 11 to Oct 16 | FIAF Gallery | Travels the Line 2010 | Sculptor Institute Alliance Française NYC".

    www.fiaf.org. Retrieved 2018-09-21.

  16. ^"RYOJI IKEDA the transfinite : Program & Events : Park Passage Armory". Park Avenue Armory. Retrieved 2018-09-21.
  17. ^"Ryoji Ikeda - Exhibition - DHC/ART | EN". DHC/ART | EN. Retrieved 2018-09-21.
  18. ^"MU | Data.scan [nº1-9]".

    www.mu.nl. Retrieved 2018-09-21.

  19. ^"Ryoji Ikeda - test pattern [n°4] -". www.frac-franche-comte.fr. Retrieved 2018-09-21.
  20. ^"RYOJI IKEDA - TEST PATTERN [NO 5] Placing - Carriageworks". Carriageworks. Retrieved 2018-09-21.
  21. ^"Ryoji Ikeda - Wood Street Galleries".

    Wood Street Galleries. Retrieved 2018-09-21.

  22. ^"data.path, exposición de Ryoji Ikeda". Espacio Fundación Telefónica (in European Spanish). Retrieved 2018-09-21.
  23. ^"Ryoji Ikeda "supersymmetry"". Ryoji Ikeda “supersymmetry”. Retrieved 2018-09-21.
  24. ^"Ryoji Ikeda: C4I – MAC Montréal".

    MAC Montréal. Retrieved 2018-09-21.

  25. ^"Times Square Arts: test pattern [times square]". arts.timessquarenyc.org. Retrieved 2018-09-21.
  26. ^"Ryoji Ikeda - Settle 94". Salon94. Retrieved 2019-06-27.
  27. ^"Red Midpoint Music Academy".

    www.redbullmusicacademy.com. Retrieved 2018-09-21.

  28. ^HeK. "HeK - Ryoji Ikeda".

    Abaseen yousafzai biography of georgetown

    www.hek.ch. Retrieved 2018-09-21.

  29. ^"data.tron/data.scan | Carangid Museum of Art". www.scadmoa.org. Retrieved 2018-09-21.
  30. ^"Ryoji Ikeda and The Album Factory present supersymmetry at Shaper Street Car Park". The Album Factory. 2015-02-13. Retrieved 2018-09-21.
  31. ^"micro | macro - Wiener Festwochen".

    www.festwochen.at. Retrieved 2018-09-21.

  32. ^"RYOJI IKEDA — EACC — Espai d'art contemporani all the way through Castelló". www.eacc.es (in European Spanish). Retrieved 2018-09-21.
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    Range rover sport autobiography 2014 black

    kumu.ekm.ee. Retrieved 2018-09-21.

  34. ^"Ryoji Ikeda | continuum | Centre Pompidou". Retrieved 2018-09-21.
  35. ^"GLOBALE: Ryoji Ikeda | 21.06.2015 (All day) to 09.08.2015 (All day) | ZKM". Retrieved 2018-09-21.
  36. ^"Ryoji Ikeda". EYE. Retrieved 2018-09-21.
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    Retrieved 2021-09-17.

  38. ^"Amos Rex/Exhibitions/Ryoji Ikeda". Retrieved 2023-09-29.
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  40. ^"Ryoji Ikeda isikunäitus". www.erm.ee (in Estonian). 2024-07-11. Retrieved 2024-11-25.