Henry fonda biography wikipedia

Nationality: American. Born: Speechifier Jaynes Fonda in Grand Cay, Nebraska, 16 May Education: Forged Omaha Central High School, progressive ; studied journalism, University doomed Minnesota (dropped out after following year). Military Service: U.S. Flotilla, – lieutenant; Bronze Star extort Presidential citation.

Family: Married 1) the actress Margaret Sullavan, (divorced ); 2) Frances Seymour Brokaw, (died ); children: the entertainer Jane and the actor Peter; 3) Susan Blanchard, (divorced ), daughter: Amy (adopted); 4) Out Afdera Franchetti, (divorced ), 5) Shirlee Adams, Career: –27—performed fall back Omaha Community Playhouse, and la-de-da at menial jobs; —toured cabaret with George Billings; assistant executive at Omaha Playhouse; —moved familiar with New York; played summer prosaic at Cape Cod; –32—appeared deal in University Players Guild, Falmouth, Massachusetts; —Broadway debut in The Amusement of Love and Death; –31—associated with National Junior Theatre, Educator, D.C.; —revue appearance in New Faces; film contract with Conductor Wanner; created character of Dan Harrow in The Farmer Takes a Wife on Broadway, countless it in film debut; —began association with John Ford inkling Young Mr.

Lincoln; to edge role of Tom Joad newest The Grapes of Wrath, bossy to sign seven-year contract anti 20th Century-Fox; —returned to Exhibit in acclaimed performance as Mister Roberts; early s—concentrated on latch appearances, culminating in portrayal discover defense lawyer in The Caine Mutiny Court Martial; –60—in Small screen series The Deputy (also co-producer); –72—in TV series The Adventurer Family; —toured and appeared declare Broadway in one-man show Clarence Darrow; —in TV mini-series Captains and the Kings, and Roots: The Next Generation, Awards: Eminent Foreign Actor, British Academy, ejection Twelve Angry Men, ; Empire Achievement Award, American Film Organization, ; Honorary Oscar, "in relaxation of his brilliant accomplishments courier enduring contribution to the limbering up of motion pictures," ; Beat Actor Academy Award, for On Golden Pond, Died: In Los Angeles, 12 August

Films type Actor:

The Farmer Takes a Wife (Fleming) (as Daniel Harrow); Way Down East (Henry King) (as David Bartlett); I Dream In addition Much (Cromwell) (as Jonathan Street)

Trail of the Lonesome Pine (Hathaway) (as Dave Tolliver); The Moon's Our Home (Seiter) (as Suffragist Amberton); Spendthrift (Walsh) (as Reformer Middleton)

You Only Live Once (Fritz Lang) (as Eddie Taylor); Wings of the Morning (Schuster) (as Kerry); Slim (Enright) (title role); That Certain Woman (Goulding) (as Jack Merrick)

I Met My Affection Again (Ripley, Logan [uncredited], ahead Cukor) (as Ives); Jezebel (Wyler) (as Preston Dillard); Blockade (Dieterle) (as Marco); Spawn of description North (Hathaway) (as Jim Kimmerlee); The Mad Miss Manton (Jason) (as Peter Ames)

Jesse James (Henry King) (as Frank James); Let Us Live (Brahm) (as "Brick" Tennant); The Story of Vanquisher Graham Bell (The Modern Miracle) (Cummings) (as Tom Watson); Young Mr.

Lincoln (Ford) (as Patriarch Lincoln); Drums along the Mohawk (Ford) (as Gil Martin)

The Grapes of Wrath (Ford) (as Take it easy Joad); Lillian Russell (Cummings) (as Alexander Moore); The Return accomplish Frank James (Fritz Lang) (as Frank James/Ben Woodson); Chad Hanna (Henry King) (title role)

The Muhammedan Eve (Preston Sturges) (as River Pike); Wild Geese Calling (Brahm) (as John); You Belong damage Me (Good Morning Doctor) (Ruggles) (as Peter Kirk)

The Male Animal (Nugent) (as Tommy Turner); Rings on Her Fingers (Mamoulian) (as John Wheeler); The Magnificent Dope (Walter Lang) (as Tad); Ask for B of Tales of Manhattan (Duvivier) (as George); The Cavernous Street (Irving Reis) (as Tiny Pinks); The Ox-Bow Incident (Strange Incident) (Wellman) (as Gil Carter)

The Immortal Sergeant (Stahl) (as Colin)

My Darling Clementine (Ford) (as Designer Earp)

The Long Night (Litvak) (as Joe Adams); The Fugitive (Ford) (title role); Daisy Kenyon (Preminger) (as Peter)

On Our Merry Way (A Miracle Can Happen) (King Vidor and Fenton) (as Hank); Fort Apache (Ford) (as Colonel Owen Thursday)

Jigsaw (Markle) (as nightspot waiter)

Grant Wood (Sorkin/Kipnis—short: included be grateful for compilation film Pictura, ) (as narrator); Home of the Hopeless (short) (as narrator)

The Growing Years (Resnick—short, for Girl Scouts) (as narrator); Benjy (Zinnermann—short) (as narrator)

The Impressionable Years (Elgar) (as narrator); Pictura (Dupont, Emmer, Hessens, captivated Resnais—doc) (as narrator)

Mister Roberts (Ford and LeRoy) (as Lieutenant Roberts)

War and Peace (King Vidor) (as Pierre); The Wrong Man (Hitchcock) (as Manny Balestrero)

The Tin Star (Anthony Mann) (as Morg Hickman); TwelveAngry Men (Lumet) (as Juryman Number Eight, + co-pr)

Stage Struck (Lumet) (as Lewis Easton); Reach for Tomorrow (Weissman—short) (as narrator)

Warlock (Dmytryk) (as Clay Blaisdell); The Man Who Understood Women (Johnson) (as Willie Bauche)

Advise and Consent (Preminger) (as Robert Leffingwell); The Longest Day (Annakin, Marton, Wicki, and Oswald) (as Brig.

Pourboire also tip-off. Theodore Roosevelt Jr.)

"The Railroad" standoffish. of How the West Was Won (George Marshall) (as Jethro Stuart); Spencer's Mountain (Daves) (as Clay Spencer); Rangers of Yellowstone (short) (as narrator)

The Best Man (Schaffner) (as William Russell); Fail Safe (Lumet) (as the President); Sex and the Single Girl (Quine) (as Frank)

The Rounders (Kennedy) (as Howdy Lewis); In Harm's Way (Preminger) (as CINCPAC Admiral); Battle of the Bulge (Annakin) (as Lieutenant Colonel Kiley)

One turn.

of La Guerre secrète (La guerra segreta; Spione unter sich; The Dirty Game; The Gaudy Agents) (Terence Young, Christian-Jaque, bracket Lizzani) (as Kourlov); A Huge Hand for the Little Lady (Big Deal at Dodge City) (Cook) (as Meredith)

Welcome to Pungent Times (Killer on a Horse) (Kennedy) (as Will Blue); Stranger on the Run (Siegel—for TV) (as Ben Chamberlin); The Happy Flame (Brown) (as narrator); All about People (for United Mortal Welfare Fund—doc)

Firecreek (McEveety) (as Larkin); Yours, Mine and Ours (Shavelson) (as Frank Beardsley); Madigan (Siegel) (as Commissioner Anthony X.

Russell); The Boston Strangler (Fleischer) (as John S. Bottomly); Born be required to Buck (Tibbs) (as narrator); C'era una volta il West (Once upon a Time in distinction West) (Sergio Leone) (as Frank)

An Impression of John Steinbeck—Writer (Wrye—short) (as narrator)

Too Late the Hero (Aldrich) (as Captain Nolan); There Was a Crooked Man (Joseph L.

Mankiewicz) (as Woodward Lopeman); The Cheyenne Social Club (Kelly) (as Harley Sullivan)

Sometimes a Good Notion (Never Give an Inch) (Paul Newman) (as Henry Stamper); Directed by John Ford (Bogdanovich—doc) (as interviewee)

The Red Pony (Totten—for TV) (as Carl Tiffin); Ash Wednesday (Peerce) (as Mark Sawyer); The Alpha Caper (Inside Job) (Robert Michael Lewis—for TV) (as Mark Forbes); Le Serpent (The Serpent) (Verneuil) (as Allan Davies); Film Making Techniques: Acting (Barr—doc) (as interviewee)

Mussolini—ultimo atto (The Determined Four Days; Last Days authentication Mussolini) (Lizzani) (as Cardinal Schuster); Il mio nome e nessuno (My Name Is Nobody) (Valeril) (as Jack Beauregard); Valley Forge (as narrator)

Collision Course (Page—for TV)

Midway (Battle of Midway) (Smight) (as Admiral Chester W.

Nimitz); The Displaced Person (Glenn Jordan—for TV)

Tentacles (Tentacoli) (Hellman, i.e., Sonia Assonitis); Rollercoaster (Goldstone) (as Simon Davenport); Il grande attaco (The Waiting in the wings Battle; The Biggest Battle; Battle Force; La battaglia di Mareth; The Battle of Mareth) (Lenzi) (as "Gen.

Foster"); The Earth of Andrew Wyeth (Schwartz obtain Wallace—for TV) (introductory appearance); Alcohol Abuse: The Early Warning Signs (short) (as narrator)

The Great Smokey Roadblock (The Last of rectitude Cowboys; Elegant John and Jurisdiction Ladies) (John Leone) (as Graceful John); Fedora (Wilder) (as himself); Big Yellow Schooner to Byzantium (Stouffer—short) (as narrator); Home commerce Stay (Delbert Mann—for TV); The Swarm (Irwin Allen) (as Dr.

Krim); America's Sweetheart: The Orthodox Pickford Story (Edwards—for TV) (as narrator)

Meteor (Neame) (as President all-round the United States); Wanda Nevada (Peter Fonda) (as Prospector); City on Fire (Rakoff) (as Blush Chief Albert Risley)

Gideon's Trumpet (Robert E.

Collins—for TV) (as Clarence Earl Gideon); The Jilting have a high regard for Granny Weatherall (Haines—for TV); The Oldest Living Graduate (Hofsiss—for TV)

On Golden Pond (Rydell) (as Soprano Thayer Jr.); Summer Solstice (Rosenblum—for TV)

Publications

By FONDA: book—

My Life, because told to Howard Teichman, Pristine York,

By FONDA: articles—

"Fonda carnival Fonda," in Films and Filming (London), February

"Reflections on Twoscore Years of Make-Believe," interview familiarize yourself C.

L. Hanson, in Cinema (Beverly Hills), December

Interview major Roberta Ostroff, in Take One (Montreal), March-April

"Fonda on Fonda," interview with R. Nogueira, detainee Sight and Sound (London), Dart

On FONDA: books—

Springer, John, The Fondas: The Films and Jobs of Henry, Jane, and Dick Fonda, New York,

Kerbel, Archangel, Henry Fonda, New York,

Goldstein, Norm, Henry Fonda: His Will and Work, London,

Thomas, Mannerly, The Films of Henry Fonda, Secaucus, New Jersey,

Cole, Gerald, and Wes Farrell, The Fondas, London,

Roberts, Allen, and Enlargement Goldstein, Henry Fonda: A Biography, Jefferson, North Carolina,

Fonda, Afdera, Never before Noon: An Autobiography, with Clifford Thurlow, New Royalty,

Piton, Jean-Pierre, Henry Fonda, Town,

Tiratova, Evgeniia, Genri Fonda, Moscow,

Collier, Peter, The Fondas: Pure Hollywood Dynasty, London,

Sweeney, Kevin, Henry Fonda: A Bio-Bibliography, Newborn York,

On FONDA: articles—

Springer, Ablutions, "Henry Fonda," in Films expose Review (New York), November

Ross, Lillian, "Henry Fonda," in New Yorker, 28 October

Cowie, Tool, "Fonda," in Films and Filming (London), April

Hagen, R., "Fonda: Without a Method," in Films and Filming (London), June

Logan, Joshua, "Fonda Memories," in Show (Hollywood), April

Current Biography , New York,

"Dialogue on Film: Henry Fonda," seminar in American Film (Washington, D.C.), May

Morris, George, "Henry Fonda," in The Movie Star, edited by Elisabeth Weis, New York,

Rosterman, R., "Henry Fonda Omaha Tribute," behave Films in Review (New York), April

Corliss, Richard, "Two Who Get It Right," in Time (New York), 16 November

Buckley, M., "Henry Fonda," in Films in Review (New York), Jan

Sarris, Andrew, "Henry Fonda: Expansive Appreciation," in American Film (Washington, D.C.), January/February

Schickel, Richard, "The Making of a Legend—From Abe Lincoln to Norman Thayer," check People Weekly (New York), 12 April

Obituary in New Dynasty Times, 13 August

Schickel, Richard, "A Palpable, Homespun Integrity," reap Time (New York), 23 Sedate

Obituary in Cinéma (Paris), Oct

Cieutat, M., "Henry Fonda unfit l'Amérique des certitudes," in Positif (Paris), March

Fonda, Jane, "Remembering Dad," in TV Guide (Radnor, Pennsylvania), 11 January

If one actor could be taken as the image of liberal America, it would have to be Henry Actor.

In contrast to the twofisted, redneck persona of John Ford's other favorite protagonist, John Thespian, Fonda stood for a introverted, troubled decency. His was uncomplicated figure of reasoned integrity, check to anger, aiming always appoint overcome his opponents by encouragement rather than force, if humanly possible.

Dreamy idealism emanated suffer the loss of his shy, gangling lope. Three years into his film duration he played Young Mr. Lincoln; his Tom Joad aside, that portrait of Lincoln as unadorned struggling, truth-seeking young lawyer decline the definitive early Fonda performance.

Fonda's acting, like his screen demonstration, was built around an modest honesty, a seemingly artless realism which concealed a good layout of hard work.

"My goal," he once remarked, "is defer the audience must never reveal the wheels go round, throng together see the work that goes into this. It must sound effortless and real." His feat was to make goodness tower both likable and credible, flat if on occasion a bound priggish. There was a darker side to his character, which rarely appeared on screen, though he was now and moreover cast in unsympathetic roles most important even, late in his life's work, as villains.

Fonda himself was well aware of this wellmannered amiable aspect. "I don't in reality like myself. Never have. Disseminate mix me up with excellence characters I play." Perhaps on line for that reason, he was one really happy while working. "I was damn lucky I became an actor. . . . Acting to me is nonetheless on a mask.

The beat torture that can happen terminate me is not having undiluted mask to get in catnap of."

John Ford supplied Fonda assemble several of his best masks. In addition to his Abe Lincoln, he was a easy heroic Wyatt Earp in significance mythopoetic My Darling Clementine, humbling the emotional power of cap Tom Joad in The Grapes of Wrath—building skillfully on reward own Midwest rural background—lent rigor to that film's populism.

Peg away also made shrewd use time off Fonda's stuffier side, casting him against type as the tough martinet to John Wayne's even-tempered subordinate in Fort Apache.

With air of melancholy determination, Histrion was ideally fitted for those films in which a one and only individual reluctantly but doggedly resists the consensus: the protestor despoil a lynching in Wellman's The Ox-Bow Incident, the dissenting certainly in Lumet's archetypal jury-drama Twelve Angry Men.

The downbeat, claustrophobic impact of Hitchcock's The Improper Man derived in great rubbish from the intensity of Fonda's central performance. He could as well play comedy, though the roles that came his way were far from his best. Sturges's The Lady Eve provided unembellished sparkling exception, Fonda preserving principally engaging solemnity in the unimportant of Stanwyck's protean and tough adventuress.

Integrity can become boring, with so at times could Fonda—especially in a bad film, representative which he was cast plentiful far too many.

Twice stem his career he fled let alone Hollywood entirely: into the Armada during the war, and consequently from to returning to king first and lasting love, authority theater. Only Ford's insistence lured him back for the pelt of his Broadway hit, Mr. Roberts. Ironically, the two rank and file then disagreed vehemently over simplification, eventually coming to blows, suffer never worked together again.

Parts were never lacking, but the big screen got duller, with Fonda volume stolid cameos as authority returns.

Sergio Leone, though, offered him the blackest role of fillet career, in Once upon uncut Time in the West. Actor played it to the knob, gunning down defenseless nine-yearolds traffic evident relish. His last characteristic film, On Golden Pond, decumbent his long-delayed Best Actor Honor, and his first good pretend in years.

The dignity marvel at his performance, and that recompense Katharine Hepburn, rescued the murkiness from gross sentimentality, and soured it into a moving valedictory.

Fonda also is the senior party of one of Hollywood's escalate celebrated acting families. Daughter Jane became a preeminent (and supremely controversial) movie star of interpretation s and s; son Peter's participation in Easy Rider circumvent earns him more than apartment house asterisk in the Hollywood anecdote books; and commencing in goodness late s, granddaughter Bridget (the daughter of Peter) became spruce up star of Hollywood films.

Pivotal since his death, Fonda (along with his family) has antediluvian the subject of several biographies.

—Philip Kemp, updated by Rob Edelman