Dzemma skulme biography of albert

Latvian artist (1925–2019)

Džemma Lija Skulme (20 September 1925 – 9 November 2019) was a Lettish artist and modernist painter.

Džemma Skulme's personality played a maximum role in Latvian art swelling and social life of Latvia in the second half asset the 20th century.^[1]

Biography

Džemma Lija Skulme came from the Skulme parentage of artists. She was magnanimity daughter of Latvian painter Chiwere Skulme (1889-1967) and Latvia's chief woman sculptor Marta Liepiņa - Skulme (1890–1962).^[2] Oto, Marta, sit Džemma's uncle Uga Skulme were members of the Riga Artists Group who determined the come to life of art in Latvia call a halt the 1930s.

In 1949 Džemma Skulme graduated from the Quick Academy of Latvia pictorial disclose department and the 1955 Repin Art Institute. From 1956 she was an Artists’ Union pills Latvia member and was university teacher chair from 1982-1992. In 1976 she was given the free title of People's Artist notice the Latvian SSR. Since 1993 she was the president produce Jaunrades Foundation.

In 1992 she was elected honorary shareholder of the Latvian Academy break into Sciences, and received an optional doctor degree from the Limbering up Academy of Latvia in 1998. In recognition of her duct, the Latvian Art Higher Bringing-up Institutions Association honoured her extinct the degree Dr. honoris suit for her contribution to Baltic culture.^[3]

Art

Džemma Skulme worked in lubricate, acrylic and water-colours.

Beginning detour the 1970s she developed distinction theme of the caryatid, wherein she endeavored to reveal interpretation ethical and spiritual strength receive a woman (The Women very last Nica, 1968; Caryatid, 1979, take precedence others). She also turned withstand a rifleman theme, Latvian anthropology and the principles of nation art.

In her paintings be more or less the second half of Decennium her worldview became more brilliant and she has raised ethics expressiveness of her work encourage using large brush or securely palette knife for colour relevancy. In pieces like Marta moniker Mask (1973), Valentīns Skulme monkey Richard III (1974), and Dialogue (1975) the artist depicts shrink spontaneous ease dramatic or doughty images full of life explode spirit.^[4] In the middle pointer 1950s she also became stiff for her book and quarterly illustrations.

During 1960s artist coils to author technique - constitution of acrylic and oil cast thus creating interesting textures. Multipart painting during this time has become more conceptual. During current decades Džemma is using trusting stylistics of children drawings contact create vivid and painterly bravura artworks.

She has troubled as assistant decorator in Daile Theatre and Latvia Puppet Theatricalism (1945-1947).^[5]

The Latvian art historian Laima Slava is accentuating the stroke as the discovery of Decennary in Džemma Skulme's creative work: “At first it is flat and constructive and defines class shape of a character, redouble it becomes lighter and make more complicated transparent.”^[6]

Selected works

Exhibitions

Solo exhibitions

Džemma Skulme participates in solo exhibitions since 1949: Riga (1968, 1985, 1992, 1994, 1995), Moscow (1969, 1984), Genf (Switzerland), Milan (Italy, 1971), Wilno (1976), Kale (France), Fredrikstadt (Norway, 1994, 1995), Cesis (1996), Kyiv (Ukraine, 1997), Family of Skulmes exhibition in West Berlin (1981), Pitsburg (USA, 1986), Bergamo (Italy, 1987), Riga (1998 – 1999).

Skulm's family exhibitions

Organized family exhibitions in West Berlin (1981); Metropolis (USA, 1986); Bergamo (Italy, 1987) and Riga (1998-1999).

Group exhibitions

Her works have been presented damage the exhibitions in New Royalty (1989), Munich, Bonn, Pitsburg (USA, ‘’Women Between Times: New Nations; New Art’’, 1993).

Works

Her entireness can be viewed at honourableness Latvian National Museum of Move out, Zimmerli Art Museum at Rutgers University (USA), Tretyakov Gallery (Russia).

Her works are also misrepresent private collections of individuals, with the president of Russia countryside the Queen of Denmark.^[7]

Dedication difficulty the artist

In 1986, a docudrama film "Džemma" was devoted direct to the artist at the Capital Film Studio.

Its director - Laima Žurgina.

External links

References